Ted Sarandos

Miky Lee

Kimberly Steward

Jim Gianopulos

Patricia Bellinger Balzer

Jason Blum

Arnaud Boetsch

Laura Dern

David Dolby

Sidonie Seydoux Dumas

Sid Ganis

Olivier de Givenchy

Ray Halbritter

Tom Hanks

Dawn Hudson

Bill Kramer

David Linde

Eva Longoria

Ryan Murphy

Dominic Ng

Katherine L. Oliver

Alejandro Ramírez Magaña

David Rubin

Regina K. Scully

Emma Thomas

Kevin Yeaman

Doris Berger

Donald Bogle

Cara Caddoo

Rhea L. Combs

Terri Simone Francis

Michael Boyce Gillespie

Whoopi Goldberg

J. Raúl Guzmán

Shola Lynch

Ron Magliozzi

Ellen C. Scott

Jacqueline Stewart

Gary Dauphin

Lauren Girard

Erwin Hines

Yosuke Kitazawa

Kit Masaracchia

Adriana Siu de Olaso

Emily Rauber Rodriguez

Mike Schiro

Agnes Stauber

Chandini Tirunagaru

Connor Uretsky

Mike Vazquez

Savannah West

Dan Yalg

Something Good Negro Kiss

Bert Williams and Odessa Warren Grey in Lime Kiln Club Field Day (dir. Edwin Middleton, T. Hays Hunter, 1913), film stills. Courtesy Museum of Modern Art.

Bert Williams and Odessa Warren Grey in Lime Kiln Club Field Day

Louise Beavers in Reform School (dir. Leo C. Popkin, 1939), film still. Courtesy Academy Film Archive.

Fredi Washington (center) and Duke Ellington and his band in Black and Tan (1929). Core Collection, Production Files, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences


Fredi Washington (center) and Duke Ellington and his band in Black and Tan (1929)

Bill Robinson and Lena Horne in Stormy Weather (1943). Courtesy of Margaret Herrick Library, Academy of Motion Picture Arts and Sciences

Sidney Poitier with Diahann Carroll in Paris Blues (1961)

I am Somebody

James Baldwin, The Devil Finds Work: An Essay (New York: Dial, 1976), first edition 

Sidney Poitier in In the Heat of the Night (1967), production still. Courtesy Margaret Herrick Library.

ony Curtis and Sidney Poitier in The Defiant Ones (1958), production still. Courtesy Margaret Herrick Library.

Sedat Pakay (Turkish, 1945–2016), James Baldwin by His Typewriter, Istanbul, 1966, 1966, gelatin silver print, 10 15/16 × 13 15/16 in. (27.8 × 35.4 cm)

James Baldwin by His Typewriter

Film scholar Michael Boyce Gillespie looks at James Baldwin’s writing on Black film and how it served as a culmination of his long deliberation on race and America. 

What He Witnessed: Blackness, Film Spectatorship, and James Baldwin’s The Devil Finds Work

Regeneration: Black Cinema 1898-1971 is the recipient of the 2018 Sotheby’s Prize. The Sotheby’s Prize was founded to support and encourage museums to break new ground by recognizing curatorial excellence and facilitating an upcoming exhibition that explores overlooked or underrepresented art history. The Sotheby’s Prize was awarded by a jury of museum curators and directors comprising Sir Nicholas Serota, Donna De Salvo, Okwui Enwezor (1963–2019), Connie Butler, Emilie Gordenker, and chaired by Allan Schwartzman.

Regeneration is made possible in part by major grants from the National Endowment for the Humanities. Technology solutions generously provided by Christie®.

Lead support provided by Campari® and J. P. Morgan Private Bank.

Generous support provided by the National Endowment for the Arts, the Los Angeles County Board of Supervisors through the Los Angeles County Department of Arts and Culture, and Octavia Spencer.

Accompanying exhibition catalogue supported in part by a grant from Furthermore: a program of the J.M. Kaplan Fund.

Academy Film Archive restorations are funded in part by grants from the National Endowment for the Arts and the Capital Group Companies Charitable Foundation.

Academy Museum Digital Engagement Platform sponsored by Bloomberg Philanthropies.